Read the Summer Issue of California Freemason: The Performance
The Masonic ritual is a play with an audience of one, Tony Gilbert writes in the cover feature for the latest issue of California Freemason Magazine. And that one person is also the star of the show. Within that performance, there is high drama, powerful poetry, and profound life lessons. People who have seen it call it one of the most memorable events of their lives. When the players leave the darkened room, they’ll say they feel transformed. And they’ll mean it.
In the most elemental way, this private show is Freemasonry; it’s the what and the why and the how of the entire enterprise. So it’s no surprise that Masons devote so much time and energy to performing it well. Because if you’re putting on a show that promises all that, you’d better make it great.
In this issue of California Freemason Magazine, we’re taking a deep dive into the many ways that Masonry and performance collide. Most notably, that’s through the performance of the ritual. But there’s so much more: An interview with a theater scholar investigating the connections between the Masonic ritual and 18th century French theater; an illuminating photo essay taking us behind the scenes as the Pasadena Scottish Rite stages its annual performance of The Spirit of Hiram; and a trio of profiles of California Masons who double as performers outside of lodge.
The Masonic degree is, of course, elemental to Freemasonry. It’s the highlight of any candidate’s experience. But it’s just the start—a first step on the journey of a lifetime. The ritual is the moment at which the curtains are raised. But it’s everything that happens next that constitutes the real drama.
Read the Summer Issue of California Freemason: The Performance
people don’t necessarily talk much about, but what might be even more important, is the community aspect of our organization. When Masons gather in lodge, we’re coming together as a group of people with common values. We’re demonstrating servant leadership. We’re working with one another across political, ethnic, and socioeconomic lines.
The simple answer is that the best part of this job is the people I’ve been blessed to meet on this journey. No matter where I go, I’m always impressed by the commitment of California Masons to one another, to their communities, and to our craft. I get to see brotherly love, relief, and truth put into practice in a million different ways—some big and dramatic, some small and close to home. But in every case, I know when I come to a Masonic lodge, I’m going to meet brothers who are taking the values and teachings of Freemasonry and putting them into action.